THE RECKLESS KIND

Three young Scandinavians seek ways to live nontraditionally.

Set in a small village in an unspecified Nordic country in 1904, this story is narrated by 18-year-olds Asta and Erlend. Asta is engaged to be married but is not sure she wants to marry her intended—or anyone at all. Half French Erlend is a promising young actor willing to give it all up (a romantic move but perhaps not the best life lesson) to be with handsome outcast Gunnar. The plot is engaging, but the real magic lies in the characters and their relationships. Each has a condition that they struggle with to varying degrees: asexual Asta has Waardenburg syndrome; Gunnar has a partial arm amputation, a spinal injury, and depression; Erlend has anxiety and ulcers. (Heath is careful to avoid anachronism by eschewing labels or diagnoses that would not have been available to individuals at the time.) Their disabilities have a material impact on their lives—and on the story—but, crucially, don’t define them. The author explores their experiences with care and reminds readers that no one is “perfect”; the line between able and disabled is socially constructed and movable. Although the characters face discrimination for their queerness, they also find love and support that are uplifting without being excessively idealistic. Perrin’s Norwegian rosemaling-style art enhances the opening page of each chapter.

A tender tale of queer love, disability, and self-discovery.