Beccia’s debut, a fanciful, alphabetical survey of early circus performers, showcases her facility in graphic design. Setting the stage, early-20th-century sepia streetscapes feature a colorful circus bill, the parade of performers to come and a family entering the tent. The ensuing digitally composed mixed-media illustrations, bordered in black, reflect the typography, color palette and iconography of vintage circus posters, presenting the hirsute Lady Esau, tattooed Captain Costentenus and more. Each poster combines the hyperbolic allure of early adverts and an alphabet ditty with a few well-chosen historical facts in crisp white type at the bottom of each page. The weakness here is the text. The rhymed verses do not always scan, and a few slangy words don’t mesh: “R is for round / A zaftig beauty / Ruth’s got girth / & a buxom booty.” The spread featuring conjoined sisters skirts propriety, even given the historical context: “O is for odd / It’s strange but true / The Hilton Twins / Are stuck like glue.” Visually accomplished but textually flawed. (Picture book. 6-10)
Pub Date: April 9, 2007
ISBN: 0-618-60567-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)
Pub Date: April 23, 2007
ISBN: 0-618-75043-6
Page Count: 192
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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