SPITTING GOLD

Lowkis’ twisty debut plays with the conventions of the gothic novel in a tale that pits two ambitious sisters against each other.

In mid-19th century Paris, Sylvie and Charlotte Mothe have grown up practicing the art of fleecing their wealthy neighbors by pretending to be mediums. But when their compassionate mother dies, leaving them in the care of their alcoholic father, Sylvie, the elder sister, sets her sights on landing a rich husband, abandoning Charlotte in the process. When Charlotte approaches Sylvie with a proposal for a final con, this one involving a ghost supposedly haunting the dissolute de Jacquinot family, Sylvie resists at first but ultimately can’t resist using the skills she has developed, only to begin to wonder whether the ghost they are facing is more real than she suspected. Midway through the novel, Lowkis switches from Sylvie’s point of view to Charlotte’s and backtracks in time, bringing a surprising new perspective to the events that have transpired. A romantic attraction between Charlotte and the youngest member of the de Jacquinot family, the determined Florence, adds a spicy complication to the seances, which focus on the alleged appearance and ghostly actions of Florence’s departed great-aunt Sabine, who died during the Revolution. While the story drags a bit as it approaches the finish line, and a lurid ending changes its darkly comic tone, readers should enjoy the juicy details of post-Revolution Paris, the insider information on how to conduct a haunting, the echoes of Perrault’s fairy tales—including the one about a good sister and a bad one that gives the novel its title—and the complicated relationship between the two sisters, the details of whose history emerges along with that of their wealthier targets.

A deliciously convoluted tale of layered deceptions.