Pro-book and -library quotes on the endpapers and multiple punny book titles in the illustrations add an extra touch of fun.
What could cause the Library Dragon to return (The Library Dragon, 1994)?
Miss Lotty, librarian at Sunrise Elementary School, was once a scaly, book-protecting, fire-breathing dragon, but years ago student Molly Brickmeyer helped melt the scales away by proving children can be trusted with books. Now, Miss Lotty is ready to retire. Though the kids will miss her, she’s sure her successor will carry on her library traditions. Unfortunately, when she arrives for her last day before retirement…Mr. Mike Krochip has replaced all her books with computers and e-readers. The kids profess their love of traditional books until they see the bells and whistles on the e-readers, triggering the return of the Library Dragon, who chomps through every piece of technology she sees until a young redhead saves the day (and the library) again. Deedy and White re-team to bring the Library Dragon into the 21st century. As an entertaining read that broaches the subject of technology’s place in the school media center, this deserves a place alongside its predecessor despite the fact that the resolution of the central conflict is about as realistic as a dragon in the library. White’s brightly colored, squashed and squiggly full-bleed illustrations match the tale for good goofiness.
Pro-book and -library quotes on the endpapers and multiple punny book titles in the illustrations add an extra touch of fun. (Picture book. 4-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-56145-621-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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