THE PEANUT MAN

A young Cuban refugee unexpectedly reconnects with her home country in this 1960s-set tale.

“¡MANI! ¡MANI!” Each night, the Peanut Man’s song reverberates through the Havana streets. For little Coqui, that means it’s time to play a game with her friend Emilio, el mansiero (Spanish for peanut vendor). Standing at the window with her thumbs in her ears and her tongue out, Coqui calls out, “Thiddle, thiddle, thiddle!” And Emilio does the same. “Every. Single. Night.” One evening, Mami suddenly announces that the family must flee for los Estados Unidos. As a tearful Coqui confides the news to Emilio, her friend tries to lift her spirits. After all, that new country also promises lots of beisbol, the sport that Coqui loves. Promising never to forget her friend, Coqui leaves Havana for Decatur, Georgia. The seasons pass, and still, Coqui misses Cuba. Then…“PEANUTS!” A chance encounter at a Braves game reveals that home can be one yummy bag of peanuts away. Deedy brings her heartfelt, pensively paced tale to a satisfying conclusion. In a brief yet potent afterword, she recounts the personal origins of this wistful, vividly written immigrant tale of cherished memories and everyday bonds. Rendered in watercolor, colored pencil, and lithograph crayon, Colón’s artwork—a cozy series of sepia-tinged images—masterfully conjures up a past that still feels immediate.

Exceptionally lovely, like a gentle tug at the heartstrings.