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WOMBAT SAID COME IN

Name: WOMBAT SAID COME IN
Author: Carmen Agra Deedy
ISBN: 978-1-68263-321-2

by Carmen Agra Deedy ; illustrated by Brian Lies ‧ RELEASE DATE: Oct. 4, 2022

A superb read-aloud balancing messages about the environment and generosity with humor and heart.

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Wombat’s sense of hospitality is hard-pressed as other animal residents of the burning Australian bush seek refuge in his cool, safe, underground home.

From the start, the text seems made for a read-aloud: “Wombat was not worried. No, not a tittle. Fire had passed over his burrow before.” A delightful, full-bleed double-page spread depicts a cutaway of Wombat in his orange-toned burrow, while outside and above, readers see a pale sky and a drift of smoke. The mannerly marsupial—his patterned quilt wrapped over his collared, khaki shirt—settles in to have tea and wait out the fire. Immediately, he hears the first of many interruptions at his door. Wallaby is begging for shelter, and Wombat invites him in with a welcoming verse that becomes his standard reply each time another refugee arrives (“Wombat said, ‘Come in!’ / Wombat said, ‘Come in!’ / From smoke and din / and howling wind / come in, my friend, come in!”). The charming, easily learned mantra changes only when the crisis ends. Each succeeding guest is more demanding, from Kookaburra, Platypus, and Koala to tiny Sugar Glider. The dry wit of the text is matched by art that is both detailed in illustrating each animal and hilarious in showing poor Wombat’s trials. One of many funny touches is the fact that only Wombat wears clothing. Beneath the fun, however, lies the grim reality of climate change, tempered by lessons in zoology and, especially, practical altruism. (This book was reviewed digitally.)

A superb read-aloud balancing messages about the environment and generosity with humor and heart. (Picture book. 4-8)

Pub Date: Oct. 4, 2022

ISBN: 978-1-68263-321-2

Page Count: 36

Publisher: Peachtree

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S SCIENCE & TECHNOLOGY

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IMANI'S MOON

by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

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Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)