A welcome, necessary rejoinder to critics of border policy on this side of the line.
A gathering of critical responses to the border crisis by Mexican poets, scholars, and activists.
Donald Trump is unquestionably the dark lord of this piece. Writes novelist Boullosa, “his peculiar blend of racism and xenophobia, opportunism and cynicism, foolishness and cunning, cruelty and hypocrisy demands attention.” Yet Trump is not alone. As several of the contributors to this anthology point out, Barack Obama deported more Mexicans than has Trump, though there were more arriving during Obama’s administration. Mexico, as linguist Yásnaya Elena Aguilar Gil points out, has its own brand of xenophobic nativists who wish to block off the country’s southern border: “Fear becomes hatred, and that hatred is given a legal justification, when in reality it’s nothing more than an administrative offense: coming into Mexico without papers is not a crime.” Walls, by the account of several contributors, speak to a failure of imagination, to say nothing of humanity. As Reforma founder and former editor René Delgado writes, the Trumpian wall to the north in particular represents "the deterioration of diplomacy, the perversion of politics, and something even worse: the capitalization of the misfortune of those who are forced to leave their country in search of opportunity.” Under Trump, in the guise of safeguarding the nation from “bad hombres,” the U.S. “has constructed the largest immigration detention infrastructure in the world,” infamous for holding illegal crossers—including many thousands of children—in what are called perreras, or dog pounds. When asked by novelist Valeria Luiselli whether she regretted trying to enter the U.S., one imprisoned woman said, “now I regret it, a thousand times. I think I’d rather die of one gunshot in my own country than let them kill me slowly in this one.” That one sentence speaks volumes about a system of injustice on both sides of the border that no wall, however high, can contain.
A welcome, necessary rejoinder to critics of border policy on this side of the line.Pub Date: Oct. 13, 2020
ISBN: 978-1-62097-618-0
Page Count: 256
Publisher: The New Press
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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