by Carmen Gil ; illustrated by Silvia Álvarez ; translated by Jon Brokenbrow ‧ RELEASE DATE: Nov. 1, 2017
A lovely affirmation that there is value in wisdom as well as in vigor.
The idyllic life of a sweet-natured donkey.
You might also call her a mule (but you’d be wrong) or a burro, but “the name she likes the best is Daisy.” She got this name because just after her birth, the first time she lifted her head she saw a field of daisies. The donkey has a noble cultural history, from the birth of the baby Jesus to “The Musicians of Bremen” to Don Quixote. On the farm, Daisy works hard and is everyone’s friend. Even the normally standoffish cat purrs loudly when she lies on Daisy’s back. As part of the family, Daisy works hard on the farm, bringing in firewood, playing with the children, and taking them on walks. The years go happily by. As Daisy ages, she grows gradually weaker, deafer, and less agile. One rainy afternoon, a beautiful pony named Dazzle arrives at the farm, young and full of life. Daisy looks on, forgotten by everyone, as the animals flock around their new protector. But when Dazzle knocks over the drinking trough, it’s Daisy who organizes them to set it right and save the water. Gil’s bucolic story (via Brokenbrow’s translation) is generous with text and has many lovely episodes if not a dynamic plot. Álvarez’s vivid illustrations are both beautiful and evocative.
A lovely affirmation that there is value in wisdom as well as in vigor. (Picture book. 5-8)Pub Date: Nov. 1, 2017
ISBN: 978-8416733323
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
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by Carmen Gil ; illustrated by Miguel Cerro ; translated by Jon Brokenbrow
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by Carmen Gil ; illustrated by Zuriñe Aguirre ; translated by Ben Dawlatly
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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New York Times Bestseller
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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