Not a false note anywhere in a story that’s as entertaining as it is wise. Anshaw just keeps getting better.
A tender comedy of contemporary manners from Anshaw (Aquamarine, 1992, etc.), centered on a mother and daughter who love each other but can’t quite connect.
Fern has never really forgiven Nora for coming out as a lesbian and taking Fern away from her father to live in a series of ramshackle apartments with a transient population of overnight girlfriends. Though Fern’s now in college and Nora has settled down with calm, domestic (albeit slightly controlling) Jeanne, she still fears that her mother will pull another disappearing act. Spending time with her wild friend Tracy, who refuses to discuss the paternity of infant son Vaughn, Fern can see how hard it is to be a young woman thrust unexpectedly into motherhood (as Nora was). Fern tends to Vaughn with more patience and purpose than Tracy can muster, but she still relates to Nora like a sullen teenager. Anshaw delineates their touchy exchanges in pitch-perfect, ruefully funny dialogue, and she surrounds them with a wonderfully vivid cast of supporting characters: Nora’s cross-dressing (but straight) brother Harold, with whom Fern is close; the judgmental administrative assistant at the adult-education program Nora heads; Fern’s new slacker boyfriend James (who could be Vaughn’s father); Pam, the very butch contractor Nora is sneaking around with; and Lucky, Fern’s aging dog. The author skillfully moves in and out of various people’s heads, back and forth in time, weaving a seamless narrative that gradually unfolds the characters’ motivations, past history, and gropings toward a more satisfying future. There won’t be a dry eye in the house when Lucky’s death moves Fern and Nora toward a more adult emotional relationship, even though the scene is as understated and subtle as every other element in Anshaw’s compassionate portrait of human frailty and resilience. The finale offers hope for almost everyone, but no easy promises of smooth sailing ahead.
Not a false note anywhere in a story that’s as entertaining as it is wise. Anshaw just keeps getting better.Pub Date: May 22, 2002
ISBN: 0-395-94040-0
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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