A fine mystery with winsome characters and a complicated old house, but one that requires some suspension of disbelief.
In Saller’s middle-grade novel, a tween and her friends race against time to restore her great-grandmother’s good name.
The Stanton family—11-year-old Lainie, Lainie’s widowed dad, Grandpa Jack, Uncle Daniel, and Uncle Patrick—live in a quirky old mansion in Kenwood, Ohio, and have an unusual tragedy in their past. Back in the 1930s, Lainie’s great-grandmother and namesake, Madeleine, was convicted of murdering her supervisor, a pharmacologist. Maddie pleaded self-defense, but the jury discounted her plea and sentenced her to death. After a TV reporter tricks Lainie into an interview about Maddie, the tween swears on air to clear her great-grandmother’s name. A lot depends on Maddie’s little blue diary, which has gone missing, along with some loose papers inside it that contain key evidence. Complicating things further is the fact that Maddie’s youngest child, Cicely (aka Gracie), hid the book decades ago, fearing her mother’s anger for her drawing in it; the child was kidnapped shortly after Maddie’s death, and was only found in an asylum years later. As Lainie and school friends Elle Mendez and Seth Watson investigate, the fun is in the details of discovery, as well as the crush that Lainie has on dreamy Seth (and her angst about it). This is not Saller’s first foray into the mystery genre, which she knows her way around well, but it does stretch credulity a bit that, in the mid-20th century, the state of Ohio would have so easily executed a widow with four young children who’d never committed a crime before. The characterization of the fiercely protective Stanton household is appealing, however, and Saller’s descriptions of their house as a Gothic Victorian treasure of hidden hallways, stairways, cubbyholes, and hidden levers to open hidden doors are wonderful. Every few chapters, the book includes check-ins about the fortunes of the little blue diary, which plays a key role in the narrative.
A fine mystery with winsome characters and a complicated old house, but one that requires some suspension of disbelief.Pub Date: Aug. 15, 2023
ISBN: 9798986235387
Page Count: 248
Publisher: N/A
Review Posted Online: March 11, 2024
Kirkus Reviews Issue: May 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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