Passably engaging, principally for its meditations on the ever-shifting challenges facing women artists.
Goodman’s latest melding of faux folklore and neo-gothic melodrama (The Night Villa, 2008, etc.).
When Meg Rosenthal is offered a teaching position and free tuition for daughter Sally at a bucolic boarding school in the Catskills, she can hardly refuse. She’s been exiled from Long Island by hedgie husband Jude’s recent business collapse, followed shortly by his sudden death of a heart attack. Originally an artists’ colony founded in the late 1920s by lesbian couple Vera Beecher and Lily Eberhardt, the Arcadia School is an ideal venue for Meg’s academic specialty, fairy tales. Indeed, its grounds ominously recall the setting of her favorite fable, “The Changeling Girl,” which Lily wrote and illustrated. During Arcadia’s annual fall pagan festival, a student, Isabel, falls off a cliff on the edge of campus. Years before, Lily fell to her death from the same cliff, much to Vera’s everlasting grief and chagrin, especially since she believed Lily had forsaken her for society painter Virgil Nash. Called in to investigate Isabel’s death, broodingly handsome local sheriff Callum Reade meets Meg, kindling sparks of incipient romance. At Vera and Lily’s former residence, Fleur-de-Lis, Meg discovers Lily’s lost diary, which reveals that Virgil impregnated her during an intemperate fling. Fearing Vera’s wrath, Lily accepted a commission to paint a mural for a convent, St. Lucy’s, which sheltered unwed mothers and orphans. Sixteen years later, having told neither Vera nor Virgil that she gave birth, Lily retrieved her daughter, Ivy St. Clare, from St. Lucy’s orphanage and brought the girl to Arcadia as her “protégée.” So that explains why now-ancient Ivy is the school’s dean, but not why she is so tightly wound and always skulking around spying on people. Given the early introduction of a convenient cliff and a changeling motif, one can expect many cliffhangers and switched babies, and in this Goodman does not disappoint. The denouement, however, will leave many readers baffled.
Passably engaging, principally for its meditations on the ever-shifting challenges facing women artists.Pub Date: March 1, 2010
ISBN: 978-0-345-49753-6
Page Count: 366
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
