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THERAPY GONE MAD

THE TRUE STORY OF HUNDREDS OF PATIENTS AND A GENERATION BETRAYED

How psychotherapy led to control and ultimate disaster in a West Coast community, narrated by journalist Mithers (author of the much ballyhooed 1982 Village Voice article ``My Life as a Man''). In 1967, Arthur Janov claimed to have found a cure for neurosis through regression to the infant state, culminating in what he called the ``primal scream.'' A few years later, Joe Hart and Riggs Corriere led a group of defectors from Janov's Primal Institute to set up The Center for Feeling Therapy, where people would not only confront their past pain but move beyond it to change their present lives through the breakdown of their defenses and the discovery of their ``true'' feelings. Soon, the therapists formed a kind of hierarchy and assumed more and more power over the patients. Public confessions were demanded and individuals were humiliated (``busted''), and even physically brutalized. Mithers tells how the therapy became a whole way of life and participants lost contact with the outside world as they formed a tightly connected community of ``the sane.'' As the 70's progressed, therapists would determine what was reality, keeping women, for example, submissive and virtually starving in order to be thin and ``feminine.'' Women were also forced to engage in assigned sexual encounters and undergo abortions as the therapists required. Mithers discerns a pattern of young, impressionable people caught up in a relentless dynamic of transference and the dream of an ideal community. To leave it, they believed, would literally be suicide. Mithers writes with massive detail, gained from first-hand contact with 48 members. The group began to fall apart when Joe Hart quietly left, but not without noting disturbing similarities in the Center's methods to Dr. Louis West's analysis of brainwashing: a process of debilitation, dependency, and dread. The end came when the therapists were absent for two months and patients began to ask questions, such as ``Where is all the money?'' Nearly a decade of lawsuits were to follow. A terrifying story, brilliantly told, as well as a commentary on American culture during the 1970's.

Pub Date: April 1, 1994

ISBN: 0-201-57071-8

Page Count: 432

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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