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BARBERRY HILL

Fresh, well-described setting and vibrant characters, with one or two missteps.

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After his brother is shot execution style, a Caribbean teenager decides to investigate and clear his name in this YA novel.

On Barberry Hill, St. Kitts, social and economic differences are echoed in its topography. The mansions of the rich sit on the hilltop, while down below are shacks housing poor people and drug dealers. In between but closer to the top, 14-year-old Jaden lives with his brother, Rashid, who’s 16; his father; and grandmother. His mother has been working in America since he was 6, sending home barrels of gifts but never visiting. That is, until she has to return for Rashid’s funeral. He was shot in the head right outside his house in what everyone, including the police and Rashid’s father, assumes is gang violence. But Jaden doesn’t buy it. Rashid must have been unlucky. Seeing his mother again stirs up conflicting emotions in Jaden. With the help of his best friends, MJ and Stein, Jaden decides to prove his brother’s innocence of gang ties and restore his reputation. The friends risk beatings or worse to find the truth—which holds some surprises. Ottley-Mitchell (The Complete Collection of Chee Chee’s Adventures, 2017, etc.) has written other children’s and young-adult books set in the Caribbean, and she evokes her setting well, an unusual one for YA literature. She doesn’t shy away from the sometimes-harsh realities of Jaden’s St. Kitts, where gangs rule the school and seemingly “every day you heard about somebody getting gunned down.” She skillfully captures Jaden’s grief, anxiety, feelings of abandonment, fear, and other stormy emotions, as well as the rhythms of friendship and dialogue among teenage boys. Problems include repetition (Jaden’s mission gets stated too often for a short book) and a weak, clichéd motivation for Jaden’s father’s apparent lack of interest in pursuing Rashid’s murder.

Fresh, well-described setting and vibrant characters, with one or two missteps.

Pub Date: June 1, 2017

ISBN: 978-0-9978900-2-0

Page Count: 188

Publisher: CaribbeanReads Publishing

Review Posted Online: July 31, 2017

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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