Celebrating the importance of illusion and accident, Shields’s beautifully crafted stories capture her characters’ shocked...
``We cannot live without our illusions,'' muses one of the characters in this exuberant collection, stating a theme that Shields turns to repeatedly in 22 precise, penetrating tales.
The dazzling title story traces the play of hope and fantasy in the lives of a series of townspeople over the course of one seemingly uneventful day, their quotidian acts revealing those stubborn, regenerative ``cycles of consolation and enhancement'' with which we overcome despair. In ``The Scarf,'' a middleaged writer, amazed by the unexpected success of her novel, comes to grips with the limitations of her talent during a lunch with an old friend. In less assured hands such epiphanies might seem unsurprising, but the prolific Shields (Larry’s Party, 1997, etc.) creates characters with such believable complexities of behavior that their discoveries are fresh and convincing. In ``Dressing Down,'' a ten-year-old boy spends the summer at a nudist camp his grandfather founded, discovering there how the battle over reticence and frankness has defined his grandparents’ marriage—and learning also that nudity tends to dissolve possibility and mystery, making people more prosaic than alluring. ``Eros'' follows the reveries of a middleaged survivor of breast cancer as she looks back at her long, slow discovery of sex, from her first childhood suspicions of its presence in the lives of her parents to its impact on her nowdissolved marriage. Loss has taught her that, while sex provides no ultimate liberation, it plays a vital role in helping people for a moment to feel ``part of the blissful, awakened world.'' In the terse ``New Music,'' writing the biography of a minor composer transforms its author, giving her and her family a startled appreciation of imagination’s power to remake life.
Celebrating the importance of illusion and accident, Shields’s beautifully crafted stories capture her characters’ shocked discovery of the gap between imagination and reality—and their ability to find happiness despite this in the “opening, beckoning, sensuous world.”Pub Date: May 1, 2000
ISBN: 0-670-88921-0
Page Count: -
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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