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LARRY'S PARTY

A meticulous coming-of-(middle)-age novel by Pulitzer Prize- winner Shields (The Stone Diaries, 1993, etc.), who seems to have mastered the art of understatement without falling into the bottomless pit of obscurity. Larry Weller, the son of English immigrants, is brought to Winnipeg while still in his mother's womb. He grows up to become a floral arranger and landscape gardener. As the story opens in 1977, Larry is 26, living at home and dating Dorrie, whom he eventually marries. The book progresses episodically across the next 20 years, each chapter self-contained enough to work as an independent story but connected to the ones that precede and follow it by the narrative of Larry's life, which runs through them like the string holding together a necklace of pearls. Thus, while the focus of each chapter is minuscule—a tweed jacket picked up by mistake in a restaurant, for example, or a trip to the airport to meet a small child—the cumulative effect is one of exceptional clarity and depth of emotion, since the larger environment that surrounds ordinary daily routines becomes better defined and more obvious as the story progresses. The unhappy circumstances that led to the Wellers' emigration, the failure of Larry's marriage to Dorrie, the trials of his second marriage, and the development of his career as a landscaper are all described through flashback. Each part is carefully related to the central metaphor of the garden mazes that Larry becomes expert at designing. The climactic chapter, in which the characters of Larry's labyrinthine and exceedingly complicated life come together at a party, is a blatantly contrived device—but successful in spite of its transparency. Very fine and real: Shields writes with the rare self- assurance of one who from the first knows where her characters are going and what will become of them once they arrive, and—rarer still—manages not to bend them out of shape along the way. (Book- of-the-Month Club selection; author tour)

Pub Date: Sept. 1, 1997

ISBN: 0-670-87392-6

Page Count: 306

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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