A poetic example of Black male excellence to inspire an emerging generation of readers.
Weatherford celebrates the achievements of African American men, from Martin Luther King Jr. to Bootsy Collins.
The inspiration for this poetic offering began back in 2009, when 5-year-old Jacob Philadelphia met with then-president Barack Obama in the Oval Office. “I want to know if your hair is like mine,” said Jacob, right before President Obama bowed to allow him to touch his head—an image immortalized by photojournalist Pete Souza. An illustrated depiction of that moment appears in the book, along with scenes of other young Black children finding inspiration in a variety of role models. “I have hair like Obama’s,” the narrator tells us, “and hands like LeBron’s.” References to other recognizable and potentially lesser-known Black male inventors, athletes, artists, civic leaders, and more are threaded throughout. Writing in verse, Weatherford cleverly riffs on her subjects’ character traits and contributions, welcoming a new generation of readers to discover more about their legacies: “I think up inventions / just like the real McCoy.” “My voice is my instrument / like Trane’s sax and Bootsy’s bass.” (Backmatter explains that Weatherford is referring to engineer Elijah McCoy, jazz saxophonist John Coltrane, and funk musician Bootsy Collins.) Durr’s digital, animation-influenced illustrations brim with color as children race Usain Bolt, daydream about following in astronaut Guion Bluford’s footsteps, and more.
A poetic example of Black male excellence to inspire an emerging generation of readers. (author’s note) (Picture book. 3-6)Pub Date: Oct. 1, 2024
ISBN: 9781419771484
Page Count: 40
Publisher: Abrams Appleseed
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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