A poetic example of Black male excellence to inspire an emerging generation of readers.
Weatherford celebrates the achievements of African American men, from Martin Luther King Jr. to Bootsy Collins.
The inspiration for this poetic offering began back in 2009, when 5-year-old Jacob Philadelphia met with then-president Barack Obama in the Oval Office. “I want to know if your hair is like mine,” said Jacob, right before President Obama bowed to allow him to touch his head—an image immortalized by photojournalist Pete Souza. An illustrated depiction of that moment appears in the book, along with scenes of other young Black children finding inspiration in a variety of role models. “I have hair like Obama’s,” the narrator tells us, “and hands like LeBron’s.” References to other recognizable and potentially lesser-known Black male inventors, athletes, artists, civic leaders, and more are threaded throughout. Writing in verse, Weatherford cleverly riffs on her subjects’ character traits and contributions, welcoming a new generation of readers to discover more about their legacies: “I think up inventions / just like the real McCoy.” “My voice is my instrument / like Trane’s sax and Bootsy’s bass.” (Backmatter explains that Weatherford is referring to engineer Elijah McCoy, jazz saxophonist John Coltrane, and funk musician Bootsy Collins.) Durr’s digital, animation-influenced illustrations brim with color as children race Usain Bolt, daydream about following in astronaut Guion Bluford’s footsteps, and more.
A poetic example of Black male excellence to inspire an emerging generation of readers. (author’s note) (Picture book. 3-6)Pub Date: Oct. 1, 2024
ISBN: 9781419771484
Page Count: 40
Publisher: Abrams Appleseed
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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