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HAIR LIKE OBAMA'S, HANDS LIKE LEBRON'S

A poetic example of Black male excellence to inspire an emerging generation of readers.

Weatherford celebrates the achievements of African American men, from Martin Luther King Jr. to Bootsy Collins.

The inspiration for this poetic offering began back in 2009, when 5-year-old Jacob Philadelphia met with then-president Barack Obama in the Oval Office. “I want to know if your hair is like mine,” said Jacob, right before President Obama bowed to allow him to touch his head—an image immortalized by photojournalist Pete Souza. An illustrated depiction of that moment appears in the book, along with scenes of other young Black children finding inspiration in a variety of role models. “I have hair like Obama’s,” the narrator tells us, “and hands like LeBron’s.” References to other recognizable and potentially lesser-known Black male inventors, athletes, artists, civic leaders, and more are threaded throughout. Writing in verse, Weatherford cleverly riffs on her subjects’ character traits and contributions, welcoming a new generation of readers to discover more about their legacies: “I think up inventions / just like the real McCoy.” “My voice is my instrument / like Trane’s sax and Bootsy’s bass.” (Backmatter explains that Weatherford is referring to engineer Elijah McCoy, jazz saxophonist John Coltrane, and funk musician Bootsy Collins.) Durr’s digital, animation-influenced illustrations brim with color as children race Usain Bolt, daydream about following in astronaut Guion Bluford’s footsteps, and more.

A poetic example of Black male excellence to inspire an emerging generation of readers. (author’s note) (Picture book. 3-6)

Pub Date: Oct. 1, 2024

ISBN: 9781419771484

Page Count: 40

Publisher: Abrams Appleseed

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE CRAYONS GIVE THANKS

Formulaic fare that will nevertheless charm devoted followers.

A few familiar friends explore gratitude.

Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.

Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)

Pub Date: Sept. 10, 2024

ISBN: 9780593690574

Page Count: 32

Publisher: Philomel

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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