Read as an ode to Aretha Franklin rather than as a true biography.
The early beginnings and professional life of the prolific singer and activist are presented in this LP–shaped picture book.
The text is presented in rhyming couplets, one per double-page spread, with a spelled-out lead word printed in block letters setting each one up. “B-L-E-S-S-E-D” leads off, and the titular “R-E-S-P-E-C-T” introduces the final couplet. The short stanzas move the book quickly from one point in Franklin’s life to the next, hinting kaleidoscopically at who she was and why she was so important. Children with no previous familiarity with the subject will require context from caregivers to understand most points. (A narrative biographical note sums up the main points in the backmatter.) Weatherford acknowledges that Franklin’s mother left the family when her preacher father was unfaithful: “Clarence and Barbara Franklin can’t seem to agree. / Daddy wasn’t faithful, so Mama chose to flee.” The spread that includes this information is introduced with “S-T-R-I-F-E,” and the illustration is almost identical to one seen earlier symbolically showing the family establishing roots in “D-E-T-R-O-I-T.” Though Barbara is missing from the “S-T-R-I-F-E” illustration, Clarence wears the same grin, and the effect is unsettling. Overall, the striking, richly colored, painterly illustrations work well with the text and perform due homage to Franklin, but the story of Franklin’s life is left wanting. The oversized, 11 ¼-inch-square trim fittingly accommodates its subject.
Read as an ode to Aretha Franklin rather than as a true biography. (discography) (Picture book/biography. 5-8)Pub Date: Aug. 25, 2020
ISBN: 978-1-5344-5228-2
Page Count: 48
Publisher: Atheneum
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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