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CUTHBERT GRANT

The Métis visionary never fully comes to life in this book.

An illustrated biography of an early-19th-century Métis leader.

Alas, a fascinating life does not make a fascinating read in this book about Cuthbert Grant (1793-1854), mixed-race son of a Scottish fur-trader father and Métis mother. Author Lindstrom (Turtle Mountain Band of Ojibwe Indians) presents Grant here as a man ahead of his time due to his combined Indigenous and Western education. With a foot in both worlds, he gains influence in powerful business circles and rises to help his people through the creation of a Métis town known as Grantown in the wake of laws that prevented them from hunting the buffalo. Notably, the story positions him as loyal to the fur trade. He is a champion of the Métis and protector of the hunt, though his reasoning goes beyond tradition to commercial concerns. The frequently digressive text mentions both the death of his father and the tragic disappearance of his wife and child with flat language that does little to invest readers. The battles and wars are mentioned in passing, and little attention is given to the competing value systems of the era. If Grant was passionate, conflicted, or angry, readers do not feel it. Illustrator Woods (Long Plain First Nation) gives this dryly factual biography all of its color, combining the occasional photo with vivid, textured paintings. (This book was reviewed digitally with 9-by-22.8-inch double-page spreads viewed at 22% of actual size.)

The Métis visionary never fully comes to life in this book. (author's note, bibliography) (Biography. 8-12)

Pub Date: Oct. 22, 2020

ISBN: 978-1-4788-6866-8

Page Count: 64

Publisher: Reycraft Books

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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BROWN GIRL DREAMING

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.

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  • Newbery Honor Book

A multiaward–winning author recalls her childhood and the joy of becoming a writer.

Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

Pub Date: Aug. 28, 2014

ISBN: 978-0-399-25251-8

Page Count: 336

Publisher: Nancy Paulsen Books

Review Posted Online: June 24, 2014

Kirkus Reviews Issue: July 15, 2014

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