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THE GIFT OF THE GREAT BUFFALO

This reverently told story is a true gift.

A daring Indigenous child embarks on a thrilling adventure.

Set in the 1880s, this tale follows young Rose and her family to the biannual Métis buffalo hunt, where hundreds of families convene in the hopes that “this hunt [will] be better than the last.” Rose’s pa is one of the captains, and Rose is eager to help him track mashkode-bizhiki. When he instructs her to stay at camp, she listens at first, but after hunters go a week without finding buffalo, the intrepid child goes scouting. Rose’s resourcefulness and daring shine as she strikes out on her own and employs the wisdom of her family: remaining determined despite miles without a sign, “thanking the buffalo for the gift of their life,” and donning a wolfskin to approach a distant herd without startling them. Rose returns with the good news, to her parents’ gratitude and gentle chiding for her disobedience. Lindstrom (Anishinaabe/Métis) captures the youngster’s resolve and excitement, while McKnight’s (Shoshone-Bannock) gorgeous watercolor and graphite images bring to life elements of Métis culture, particularly in stirring depictions of life at camp. Intergenerational basket weaving, elders dancing, roaring cook fires, and children at play—all impart Métis traditions, set against the beauty of the Plains; readers will be as moved by McKnight’s illustrations as they are by Rose’s ingenuity.

This reverently told story is a true gift. (author’s note) (Picture book. 5-9)

Pub Date: Feb. 25, 2025

ISBN: 9781547606887

Page Count: 40

Publisher: Bloomsbury

Review Posted Online: Jan. 30, 2025

Kirkus Reviews Issue: March 1, 2025

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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