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OH SUSANNAH

THINGS THAT GO BUMP

A short but well-developed tale about facing anxiety and making friends.

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A young girl confronts her fear of sleeping over at a friend’s house in this second book in a series for early readers.

Roman (Oh Susannah: It’s in the Bag, 2017, etc.) returns to the story of nearly 8-year-old Susannah Maya Logan, who faces a new problem: her friend Lola has invited her for a sleepover, but Lola’s brother, Kai, claims that the house is haunted, and Susannah is scared. She’s also reluctant to explain this (“She was a big girl now. How could she tell her mother she was afraid to stay at Lola’s house?”), setting the stage for misunderstanding and conflict. She soon learns about other children’s fears—and about adults’ tendency to use “I’m afraid” in a figurative, rather than literal, sense—and she decides to go to Lola’s house after all: “She had to do this. She had to go in there for Lola.” However, her fears endure as Kai teases her about ghosts and pulls pranks. The girls finally confront Kai with a prank of their own, and Susannah learns that the spooky noises in the house are part of a surprise that her parents and Lola have been planning. The book’s nearly 50-page length and vocabulary make it appropriate for readers near Susannah’s age, and although the fears that the characters confront—clowns, unicorns, being replaced as a best friend—may not impress adult readers, they’re given the right weight for a young audience. The book deals obliquely with issues of diversity; there’s no mention of race in the text, but the illustrations depict Lola as dark-skinned, and at another point, Susannah explains the color green to a blind friend (“When you go really fast, that’s green”). Roman ties up most of the plot threads neatly but also leaves a clear starting point for the next installment in the series. Overall, it’s a solid story with clear appeal for its intended readership.

A short but well-developed tale about facing anxiety and making friends.

Pub Date: July 11, 2017

ISBN: 978-1-947188-13-6

Page Count: 62

Publisher: Chelshire

Review Posted Online: Sept. 11, 2017

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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