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A LETTER TO ME

Name: A LETTER TO ME
Author: Carolina Preschel

by Carolina Preschel ; Alan Bigio ; developed by Bacciz ‧ RELEASE DATE: July 3, 2014

Skip this treacly app and write a letter the old-fashioned way.

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A young child tries to wait patiently for a loving adult to write a letter in this customizable app.

Before reading the story, young readers will want to design an avatar, and adults will want to create a special note. The settings easily allow children to choose the gender, skin color, hair styles and more for the main character. While the choices include four skin tones, eye colors and hair colors, the hair styles do not include African-American hair types. Adults can choose a pre-written letter from eight choices, or they can edit the letter to write a personalized note. An easy-to-use recording feature also allows adults to read their letters aloud. While the technical aspects of the app work like a charm, the actual story feels like an afterthought. It begins with the young protagonist asking about a letter the adult is writing. The child quickly becomes distracted by a big pot of gumballs on the table—and the story veers off on a tangent as the child gets into a sticky mess with the gum. It’s more than a bit perplexing that the adult does not mind that the youngster is covered in bubble gum, instead just inviting the child inside to read the special letter.

Skip this treacly app and write a letter the old-fashioned way. (iPad storybook app. 3-6)

Pub Date: July 3, 2014

ISBN: N/A

Page Count: -

Publisher: Bacciz

Review Posted Online: Nov. 10, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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LOVE FROM THE VERY HUNGRY CATERPILLAR

by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015

Safe to creep on by.

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Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

Categories:

CHILDREN'S HOLIDAYS & CELEBRATIONS | CHILDREN'S SOCIAL THEMES

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DR. SEUSS'S HOW THE GRINCH LOST CHRISTMAS!

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DR. SEUSS'S HOW THE GRINCH LOST CHRISTMAS!

by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.

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Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.

Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)

It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)