Anaxandra’s adventures begin as a small child, when she is taken hostage from her father, the king of a tiny unnamed island in the Aegean Sea. She becomes the companion of the crippled princess Callisto of Siphnos. When that island is sacked, Anaxandra alone is left alive and she pretends to be Callisto in the eyes of Menelaus, who takes her back to Sparta. It is there that the girl, now 12, accomplished with a slingshot, and resourceful in many ways, meets Menelaus’s queen, Helen. In Cooney’s telling, Helen is an exquisite monster: so beautiful that people die for her; but cold, careless, and utterly self-involved. When the besotted Trojan prince Paris takes Helen off to Troy, Anaxandra assumes another identity, to protect her own life and that of Helen’s youngest child. The gods and goddesses are very real to Anaxandra, whose prayers and beseeching are answered only occasionally. The full horrors of war and the brutality of even the noblest of lives in ancient Greece (although the land now known as Greece was many independent principalities then) are related in Anaxandra’s perceptive voice, in a heightened language that seems natural for her. Characters from the Iliad, the Odyssey, and much of Greek tragedy make appearances in Anaxandra’s tale, one that is as vivid as her red-gold hair. Teen readers will be mesmerized. (afterword) (Fiction. 12+)
Pub Date: June 11, 2002
ISBN: 0-385-72945-6
Page Count: 192
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
When Death tells a story, you pay attention. Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor. Beautiful and important. (Fiction. 12+)
Pub Date: March 14, 2006
ISBN: 0-375-83100-2
Page Count: 512
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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