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THE MERRY RECLUSE

A LIFE IN ESSAYS

An intelligent voice that spoke with grace, honesty, and humor.

Brief essays exploring universal themes—friendship, loneliness, and love—and observations on contemporary life, from Barbie dolls and Linda Tripp to computer solitaire.

These columns by the late Knapp, who wrote for Boston Phoenix, and other publications, span her career from the ’80s until her death in 2002, at age 42. Here, they’re grouped by theme into five parts: “Without,” on grief, loss, and sobriety; “With,” on friendship, family, and love; “Out There,” on the state of the world; “In Here,” on her inner world; and “The Merry Recluse,” on solitude, shyness, and loneliness. The title is taken from a piece on being single that Knapp wrote for Slate in 1998, but little merriment appears in the opening pieces. In these she deals with the deaths of her parents and her recovery from anorexia and alcoholism, subjects she explored in greater depth in Appetites (2003) and Drinking (1996). Knapp’s wit emerges in part two when she writes about her dog, Lucille, and engages in a debate with columnist Ron Rosenbaum on the relative value of dogs and cats. It blossoms in parts three and four, where she offers tart and original ideas on how corporate America could improve employee morale (e.g., on-site laundries) and how science could lighten the lot of females (e.g., the five-minute menstrual cycle), invents some new gods for the ’90s (e.g., Testicles—rhymes with Hercules—the god of male chauvinist pigs), and expands the concept of nicotine-patch technology to other human needs (e.g., a healing chicken-soup patch). Most memorable, however, are her forthright, unsentimental examinations of her life as a woman living alone and working alone that beautifully elucidate the pleasures of solitude and the pain of isolation.

An intelligent voice that spoke with grace, honesty, and humor.

Pub Date: May 1, 2004

ISBN: 1-58243-313-5

Page Count: 320

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2004

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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