A tender Passover tale that will be especially meaningful for families who’ve lost cherished members.
A beloved relative’s presence is still felt.
The young narrator keenly misses Poppy—Grandpa—at Passover. The little one looks for him as the family gathers for the seder. Some things seem the same as everyone assembles for the holiday: “the same chasing cousins, the same squishy seats, the same goofy giggles.” But “it’s not Passover without Poppy,” the protagonist forlornly tells Mama. Mama reassures the child that Poppy is still here. So do Aunty and the child’s brother as the child repeatedly asks, “Where is Poppy?” The child recalls wonderful memories: Poppy’s secret for his spicy matzah ball soup (slipping a chili pepper into the broth), his “wide, wide, wide” smile, and how he presided over the seders. As the family members read from the Haggadah, sing joyous songs, and revel in the warm delight of celebrating as a family, the child realizes that Poppy is here in spirit and always will be. Though it’s never explicitly stated, readers are to assume Poppy has passed away. This is a delightful, though poignant, Passover read that reminds children that this festive spring holiday is about family unity and keeping traditions and memories alive. Charming and delicate pencil, gouache, and charcoal illustrations, finished digitally, rely on a limited palette; the narrator presents Asian, and the family is racially diverse. (This review was updated for factual accuracy.)
A tender Passover tale that will be especially meaningful for families who’ve lost cherished members. (author’s note, glossary) (Picture book. 5-8)Pub Date: Feb. 13, 2024
ISBN: 9781534489196
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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