If you love old-fashioned Hollywood melodrama, this may be just your cup of foxglove tea.
Can we ever live down our past mistakes? Does it depend on how many there are?
“QUEENS KILLER-CUTIE’S ATTEMPTED MURDER. BOYFRIEND’S DAD FED TOXIC TEA. REDHEAD CAUGHT RED-HANDED.” The tabloid scandals start early and never stop in Leavitt’s latest, with a Tilt-a-Whirl plot encompassing Endless Love–type teenage passion with a side of attempted murder, homegrown poison plants, a jailhouse pregnancy, a long-ago rape in Central Park, stalking, domestic violence, and a life destroyed when a character’s mother gets drunk and spills her secrets to a guy in a bar who turns out to be a journalist. (Wait, didn’t she see the fedora?) The story opens in upstate New York in April 2018, when Ella Levy is released from prison after having served only six years of the 25-year sentence she began at age 15. An investigative reporter has revealed both that her confession was forced and that the judge who sentenced her was taking kickbacks from the prison. But her conviction has not actually been overturned, and it’s not going to be easy to find work as a young convicted felon—good thing there’s a little newspaper in Ann Arbor, Michigan, that needs an advice columnist. The media certainly plays many roles in this story, which has a kind of naïve and fearless narrative energy that will be familiar to readers of Leavitt’s earlier novels, including With or Without You (2020) and Cruel Beautiful World (2016). Each of the troubled central characters—Ella; her mother, Helen; her old boyfriend, Jude Stein—gets a nice, vanilla love interest to withhold their secrets from...UNTIL IT’S ALMOST TOO LATE! One complaint: Doesn’t the horrible villain deserve a bit more comeuppance than they get?
If you love old-fashioned Hollywood melodrama, this may be just your cup of foxglove tea.Pub Date: April 23, 2024
ISBN: 9781643751283
Page Count: 320
Publisher: Algonquin
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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