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QUEEN OF FASHION

WHAT MARIE ANTOINETTE WORE TO THE REVOLUTION

A briskly written account of a time when high fashion took death’s hand and danced.

Marie Antoinette’s extravagant sartorial style represented the height of French fashion in the 18th century, even as it provided her myriad enemies with symbols potent enough to help foment the monarchy’s overthrow.

Weber (French/Barnard Coll.) has written previously about the revolutionary period (Terror and Its Discontents, 2003, not reviewed), and her comprehensive, entertaining latest work suggests that she has studied just about every other important history—academic and popular—covering the reign of Louis XVI and his controversial consort. Although there is probably little new to say about this unhappy couple, their story will forever engage with its unparalleled combination of haute lifestyle and unspeakable violence. (Mercifully, the author keeps the king’s and queen’s executions offstage.) Weber focuses on Marie Antoinette’s clothing, emblematic of her sense of style, her outrageous expenditures and her tragic inability to comprehend the public’s perceptions of her and her excesses. Weber’s task is made difficult by two factors. First, virtually none of this clothing now exists, having been destroyed by angry mobs or stolen by souvenir-hunters. So we are left with contemporaneous written descriptions, portraits and parodies. Second, the story of the young queen’s rise and fall is so engrossing that Weber sometimes finds it hard to turn our attention away from history’s explosions to look at her subject’s latest ridiculous pouf or silk-and-satin extravagance. This ultimately serves, then, as yet another biography of Marie Antoinette, another history of the French Revolution. Still, the fashion segments are fun to read and researched with consummate attention to detail, as 80 pages of endnotes certify. When the royal couple is finally imprisoned, the author does a splendid job of explaining how their political fall was mirrored in their dress. Her account of the queen’s final appearance—all in glorious white—on the ride to the guillotine carries enormous poignancy.

A briskly written account of a time when high fashion took death’s hand and danced.

Pub Date: Oct. 1, 2006

ISBN: 0-8050-7949-1

Page Count: 448

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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