A sinister message that may not be all that far-fetched.
A young woman navigates the treacherous terrain of Manhattan’s early 1950s literary scene.
If only Louise, Woods’ plucky heroine, had any idea of exactly how treacherous literati can be. A transplant from Ossining, Louise is writing a “romantic fantasy” called The Lunar Housewife, set in an indeterminate but far from post-Soviet future. Chapters from Lunar, the novel within this novel, are interspersed throughout, as Louise writes while trying to negotiate real life in 1953. Pulling off an interview with Ernest Hemingway, she hopes to gain credibility and a byline at Downtown, the new magazine her boyfriend, Joe, and his colleague Harry founded, mixing intellectual commentary with cheesecake, like Playboy or Esquire—although the author’s note reveals it’s actually based on the Paris Review. The parlance is convincingly of the ’50s, and Woods’ phrases are well turned. Increasingly, Lunar Housewife tracks Louise’s life: Both Louise and her protagonist, Katherine, encounter boyfriends and governments one can’t quite trust—Joe may be embroiled with the CIA, and Harry fears that his apartment is bugged. Katherine, an American defector to Soviet Russia, is sent to set up housekeeping on the moon with Sergey, a Soviet army deserter–turned-cosmonaut; as the two fall in love, they are monitored by a “visio-telespeaker.” Louise and her creation each become pregnant, which amps up the parallel dangers. Louise’s portrayal of Russians as human and Hemingway’s putative novel in progress praising Castro might be endangering both authors. (Woods’ “Papa” may be a cliché, but he’s a scene-stealer.) During this time of the House Un-American Activities Committee, with the Korean War winding down and the Cold War heating up, the Russians appear to be the obvious villains. The truth, as Woods suggests, none too subtly, is more complicated: The U.S. establishment is not just blacklisting artists, but, through violence and/or bribery, censoring any cultural reference that does not glorify American capitalism.
A sinister message that may not be all that far-fetched.Pub Date: June 7, 2022
ISBN: 978-0-385-54783-3
Page Count: 320
Publisher: Doubleday
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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