A vivid evocation of a queen who refused to be written off.
Catherine of Aragon does not go down without a fight in Erickson’s sympathetic rendering.
Portrayed as a hapless pawn of power plays and circumstance in so many other Tudor historical novels, Catherine here displays the mettle of her ruthless royal forbears Isabella and Ferdinand. But that does not mean that fate and rivals are not out to get her. Betrothed from toddlerhood to Arthur, heir apparent of Tudor dynasty founder Henry VII, it first appears that Catherine has beaten the royal marriage odds: There is actually affinity and attraction between her and her intended. But once married, her hopes are soon dashed: Prince Arthur is so sickly that the marriage cannot be consummated. His untimely death places Catherine in a dangerous limbo: She can’t return home, and the increasingly demented Henry VII won’t approve her marriage to his second son, Henry. After his father dies, Henry VIII eagerly weds the beautiful but older Catherine. She proves herself a worthy queen when, while Henry is engaged in a largely symbolic skirmish with the French, she wins a decisive battle against the Scots. However, she fails in her primary duty to produce a living prince. After six pregnancies and difficult deliveries, only daughter Mary survives, and unlike the Spanish, the English do not exalt female heirs. Although Henry’s antipathy toward Catherine began with her Scottish triumph, his infatuation with cunning courtier Anne Boleyn accelerates his desire for a divorce that will upend Christendom. Catherine’s Spanish relatives are no help: When they’re not spreading vicious rumors about her, they are supporting Henry VIII’s argument that his marriage to his brother’s widow was an abomination, grounds for annulling the union under canon law. When the king weds Boleyn, the English people continue to clamor for Catherine’s restoration. Although even Erickson’s fact-bending “historical entertainment” cannot alter the grim outcome, Catherine’s ordeal is so sensitively recreated that readers will still hope for a different ending.
A vivid evocation of a queen who refused to be written off.Pub Date: Oct. 22, 2013
ISBN: 978-1-250-00012-5
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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