by Carolyn Chute ‧ RELEASE DATE: Nov. 4, 2014
The plot, the prose and the political pronouncements are as over-the-top as they often are in Chute’s work—which by no means...
Second volume in a planned series about the St. Onge Settlement (The School on Heart’s Content Road, 2008, etc.), a collective of disaffected have-nots in North Egypt, Maine.
At first we see the settlement and its charismatic leader, Gordon St. Onge, mostly through the eyes of Record Sun feature writer Ivy Morelli, who receives multiple phone messages warning of child abuse, drugs, guns, religious brainwashing, and anything else the anonymous callers think might prompt her to visit the place and expose its nefariousness. In the scornful eyes of Gordon and other settlement members given voice in this polyphonic novel (which also includes the comments of extraterrestrial “grays” we could do without), Ivy is a media lackey of the ruling class, alternately dishing out human-interest pabulum and scary crime stories to keep the masses frightened and passive. In a country that prefers to ignore the existence of social classes, Chute’s contempt for such air-brushing is bracing, as is her refusal to neaten up her decidedly flawed male protagonist’s opinions and actions. “There is only left or right down here among us crawling grubs,” Gordon sneers. “[A]t the top…there is the unity of ideology.” He despises corporations and well-meaning liberals equally. He also dislikes feminists and has an awful lot of “wives” with an awful lot of babies; his newest spouse, Brianna Vandermast, is only 15. Brianna is no victim, however; she goads Gordon to move beyond creating an alternate world at the settlement and directly challenge the political system that pretends to serve democracy. This provokes sinister undercover servants of the powers that be to make use of Gordon’s messy personal life to manipulate another rebellious proletarian into doing their dirty work.
The plot, the prose and the political pronouncements are as over-the-top as they often are in Chute’s work—which by no means negates the value of her career-long mission to show the elite what people at the bottom of the heap think of the American dream. Bottom line: They’re not fooled.Pub Date: Nov. 4, 2014
ISBN: 978-0-8021-1945-2
Page Count: 704
Publisher: Grove
Review Posted Online: Sept. 17, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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