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THE BOSTONS

Name: THE BOSTONS
Author: Carolyn Cooke
ISBN: 0-618-01768-2

by Carolyn Cooke ‧ RELEASE DATE: June 7, 2001

Cooke’s attractive voice alternately thrusts bluntly and lilts poetically, keeping the reader alive to the shifts of...

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A seductively written, engaging first collection organized around a family of “Bostons,” the name native Maine residents assign vacationers from the south. Cooke brings the fully rounded pleasures and character depth of a novel to her interlinked tales. No one person dominates, though most belong to a single extended family and recur from story to story; the main thematic materials are articulated obliquely, revealed as often by the gaps between pieces as by the descriptions in the stories. In “Bob Darling,” an aging man in flagging health takes a last European sojourn with a woman he met abroad. The wonderful paired “The Black Book” and “The Trouble With Money” show two women—unconventional, revolutionaries in the modern, modest, liberal sense—feeling their way through the nature of their attraction to each other while one travels to her son’s wedding as a gift to her ailing daughter. The touching title story tells of Mrs. Sargent’s relentless desire to clear her husband’s amateur paintings out of the house. The quietly heartbreaking “The Sugar Tit” shadows a woman who throughout her life has been forced to participate in and witness an array of indignities. And the richly told finale comprises another linked pair: “Girl of Their Dreams” tells of Buck Burns’s early marriage, beautifully evoking the thrill and blind passions of youthful love; “The Mourning Party,” set much later, recounts the blind, passionate, occasionally brutal grieving at Buck’s funeral.

Cooke’s attractive voice alternately thrusts bluntly and lilts poetically, keeping the reader alive to the shifts of emotional texture and mood that enrich this promising debut.

Pub Date: June 7, 2001

ISBN: 0-618-01768-2

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

Categories:

LITERARY FICTION

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IF CATS DISAPPEARED FROM THE WORLD

by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019

Jonathan Livingston Kitty, it’s not.

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A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

Categories:

LITERARY FICTION

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THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

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The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.