A bit of a bust in English, but if nothing else, Spanish-literate readers will get an evocative take on two fish and their...
Two fish in separate bowls find a way to communicate across a chasm in a rhyming, bilingual picture book.
A lonely fish depicted in a black-and-white fishbowl that contains only sand, a watercolor palette, and brush wonders what exists outside that tiny world. When another fish, in a matching bowl on the other side of a few books, appears to reach out, the first is inspired to paint what’s in her imagination. Her world—and the illustrations—go rainbow-fantasy, with scene after scene of whimsy rendered in brilliant hues. The two fish, joined only in their dreams, learn that “The world is more than just two fish!” It’s a lovely, mind-expanding idea for young readers, and the shift from black and white to color is a clever conceit. But the change comes 16 pages into a 32-page book, and in the time it takes to get there, the visuals feel flat and undernourished. More problematic is that Tafolla’s Spanish translation, which accompanies each passage of English, tends to outshine its lead-in. Bilingual readers will notice that the rhymes are not direct translations; in order to make them work in each language, different imagery and turns of phrases are used, and the English just doesn’t match up, either in terms of the quality of the writing or the imagery it conveys.
A bit of a bust in English, but if nothing else, Spanish-literate readers will get an evocative take on two fish and their shared vision of a world they’ll never see . (Bilingual picture book. 4-8)Pub Date: Oct. 31, 2018
ISBN: 978-1-55885-873-2
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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