by Carolyn Forché ‧ RELEASE DATE: March 19, 2019
A valuable firsthand report of a time of terror.
A noted poet and activist recounts an odd season at the dawn of the civil war in El Salvador.
At the opening, Forché (English/Georgetown Univ.; Blue Hour, 2003, etc.) admits she had only a little knowledge of the Central American nation of El Salvador until the end of the 1970s. “What I knew of El Salvador, I knew from my Spanish professor in college, himself a Salvadoran,” as well as from translating the work of the poet Claribel Alegría. At the beginning of the narrative, the author recounts how she opened her door one day to a man whom Alegría had mentioned without much specificity: Leonel Gómez, a mysterious figure who sometimes seemed to be all things to all people. Gómez convinced Forché that she needed to see what was happening for herself, and off she went to a nation on the brink. A bête noire soon came into view: Colonel Chacón, “who chops off fingers and has people disemboweled.” Gómez was a born mansplainer, throwing out a sequence of lessons that prompted Forché to protest that she was smart enough to follow along, to which he replied, “Lesson three has nothing to do with you.” The remark was ominous, to say the least. Gómez, her Virgil, guided Forché into tight corners, such as the cramped office of a commander who earnestly asked, “what can we do to improve the situation?” Alas, the time for talking drew short, and the bullets began to fly—some of them, it seems, deliberately aimed at her. As Forché writes in her elegiac opening, “I will learn that the human head weighs about two and a half kilos, and a child’s head, something less.” Episode by episode, dodging death squads, Forché builds a story filled with violence and intrigue worthy of Graham Greene around which a river of blood flows—doing so, unstanched, with the avid support of America’s leaders.
A valuable firsthand report of a time of terror.Pub Date: March 19, 2019
ISBN: 978-0-525-56037-1
Page Count: 400
Publisher: Penguin Press
Review Posted Online: Dec. 29, 2018
Kirkus Reviews Issue: Feb. 1, 2019
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edited by Brett Fletcher Lauer ; Lynn Melnick ; introduction by Carolyn Forché
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PROFILES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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