A highly intimate rendering of one person’s attempt at religious insight.
Carty presents a collection of Christian poems.
The structure of this collection is bound together by some vague information that the uninitiated reader—that is, probably anyone who is more than a couple of degrees removed from its publication—is probably not privy to. The “footprints” of the title is a reference to another poem, published back in 1963, as this book informs us, that describes a twin set of footprints along a beach, one belonging to a man and the other to God. This poem is clearly the inspiration for the current collection, which takes off with the same theme and imagery. As a vehicle for the poems themselves, the book contains a nearly pure outpouring of religious emotion. At its most coherent, some of the longer poems read a bit like a sermon. Elsewhere, short poems, tied together by innocent rhymes, are full of, or based on, an abundance of biblical imagery, mostly about the writer’s relationship with God. From the strange pixelated image on the cover to the free-flowing verse and loose grammar, the entire project has an unrefined feel. In place of polish, the overwhelming veneer consists of raw religious feeling, and the writing is driven by a deeply personal, sentimental Christian spirituality. The work is not scholarly, beyond the casual biblical reference, and the poetry is not particularly crafted—but this does not seem to be the point. Rather, through these poems the author seems to be translating her own spiritual experience, presenting an interpretation of the way religion has woven itself through her life, and perhaps with a bit of moralizing, her understanding of the role it is meant to play for people more broadly.
A highly intimate rendering of one person’s attempt at religious insight.Pub Date: July 24, 2011
ISBN: 978-1418448530
Page Count: 108
Publisher: AuthorHouse
Review Posted Online: Feb. 27, 2012
Review Program: Kirkus Indie
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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