Though swelly seas occasionally threaten, overall, it's smooth-enough sailing here.
Ahoy, mateys; there's one determined young girl aboard this pirate ship.
Victricia Malicia Calamity Barrett comes from a long line of pillagers. Her mother commands the crew, and her father cooks the grub. “Vic,” however, prefers butterfly tattoos and reading. Her inefficiency at basic buccaneering tasks brings unexpected results when a threatening sea serpent appears on deck. Victricia's gumption, her poorly tied lines, and a skull-and-bones towel save her boisterous clan. Her future is clear: The end finds her the proprietor of a bookstore on shore. Her relatives finally support her ambitions, and they spend their time with their noses buried in some books. Vic's personality shines through; the sign on the shop's front door reads “No Pillaging or Plundering Books.” Upbeat rhymes bounce along as Victricia follows her own path. There's some strain felt in the rhyme and scansion. “Her shirt—sewn by hand— / shouted ‘I LOVE DRY LAND.’ / Her landlubber thinking was quite problematic, / Aye, V.M.C. Barrett was most un-piratic.” Mariners will grind their teeth at liberties taken with sailing lingo. Acrylic-and–mixed-media scenes emphasize slapstick and comical expressions to downgrade the pirates' plundering to a benign, lively romp.
Though swelly seas occasionally threaten, overall, it's smooth-enough sailing here. (Picture book. 4-8)Pub Date: June 1, 2012
ISBN: 978-1-936261-12-3
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: April 24, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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