ZOMBIE APOCALYPSE RUNNING CLUB

In 2030, twins brave zombies to escape their father’s violence.

Seventeen-year-old Eira Helvig—a self-described “giantess” at 6 feet, 6 inches tall—and her brother, Soren, planned to leave their Central Washington homestead, knowing their father, a “paranoid, racist, homophobic, xenophobic” doomsday prepper, wouldn’t accept their queerness. When a strain of toxoplasmosis begins turning everyone into zombies, however, they’re stuck sheltering at home. But after their father starts killing people who enter their land, Eira and Soren escape on horseback, leaving their mother and younger sister behind. Though Eira can vanquish zombies (thanks to her Renaissance faire swordsmanship), she can’t outrun them. Luckily, she and Soren are coached by Racer, a Special Olympics triathlon champion with Down syndrome who created the titular club. As they encounter zombies and renegades across a corpse-littered landscape, ZARC gains new members, including nonbinary Cosmo, to whom Eira is immediately attracted. Can the survivors evade feeding zombies to reunite with their siblings at a safe haven? Despite the suspenseful premise, the underdeveloped secondary cast diminishes potentially powerful themes, such as the dissonance of loving a bigoted parent. While Eira and Cosmo’s physical attraction is vividly portrayed, their rushed emotional bond is less satisfying, Soren, who quickly falls for a boy called Navinder, wryly comments that “queers move fast at the end of the world.” Eira and Soren read white; secondary characters add ethnic diversity to the cast.

Plenty of zombie action and queer romance but disappointingly little emotional bite.