by Carson Kügler ; illustrated by Tina Kügler ‧ RELEASE DATE: March 17, 2015
A friendly chronicle of an offbeat artist.
A portrait of Wisconsin folk artist Mary Nohl (1914-2001) and her sculptures.
As a child, “[w]hile the other girls [take] cooking classes,” Mary learns woodworking and makes an airplane. She helps her father build a house on Lake Michigan’s shore and realizes that she loves to create things with her hands. Collecting driftwood, feathers and rocks, Mary employs her building skills—mixing cement with beach sand, as her father showed her, and spreading it over a support of wood, wire and piping—to create a massive, playful-looking creature. The Küglers use watercolor, digital painting, collage and vintage papers to portray Mary’s world and sculptures. Some of the illustration has a stylized folk-art feel, blocky and angular in mild colors, while Mary’s dogs have rounder lines. Mary’s sculptures vary in scale, so the illustrations play with scale too. In one example, Mary and her dogs discover “a marvelous creature washed up on the sand.” The purple, wavy-limbed object looks enormous—until the following spread reveals it to be a small, beige piece of driftwood. That driftwood becomes an antler on Mary’s huge, sculpted creature. An author’s note explains Mary’s eccentricities—melting silverware, painting on indoor carpeting—and the controversy of her neighborhood’s refusal to allow public visitors into her garden of odd, fantastical creatures.
A friendly chronicle of an offbeat artist. (author’s note, photos) (Picture book/biography. 6-9)Pub Date: March 17, 2015
ISBN: 978-0-544-27220-0
Page Count: 32
Publisher: HMH Books
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Jennifer Dussling ; illustrated by Chin Ko ‧ RELEASE DATE: June 20, 2017
A succinct, edifying read, but don’t buy it for the pictures.
Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.
Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.
A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)Pub Date: June 20, 2017
ISBN: 978-0-06-243256-8
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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by Tomie dePaola ‧ RELEASE DATE: April 1, 1999
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
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