by Carter Higgins ; illustrated by Carter Higgins ‧ RELEASE DATE: Aug. 6, 2024
A winner in this and every month going forward.
Higgins romps through the year with rollicking rhymes.
The passage of time over the course of a year is marked by changes—in seasons, colors, weather, and clothing requirements. How about the changes in activities people get up to? Round and round the year we go indeed! Higgins shares the highlights of each month, from “icy air” and “boots in pairs” in January to “firecrackers in the sky” during July to the “swirly whispers” of December. This delicious, thought-provoking work bursts with wit, charm, playfulness, and joy—with verses to match. The lilting rhymes demand to be read aloud; filled with engaging examples of assonance and consonance, the text flows from the tongue and lands merrily on the ear. The book is filled with numerous learning opportunities. The names of the months are printed in different colors throughout, and Higgins explores the ins and outs of the various seasons. Children will enjoy comparing and contrasting the seasonal pursuits they enjoy with those depicted in the appealing, collagelike illustrations. The book’s bright colors are well coordinated. Youngsters will especially adore the 90-degree turn on the book’s penultimate page. Characters are racially diverse.
A winner in this and every month going forward. (Picture book. 4-8)Pub Date: Aug. 6, 2024
ISBN: 9780823456529
Page Count: 48
Publisher: Neal Porter/Holiday House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Oct. 15, 2019
Haphazard but jolly enough for one outing; it probably won’t last for more.
A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).
Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.
Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)Pub Date: Oct. 15, 2019
ISBN: 978-0-525-51574-6
Page Count: 52
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Drew Daywalt ; illustrated by Mike Lowery
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by Drew Daywalt ; illustrated by Alex Willmore
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