Food for thought here about varieties of motivation, though with too many unanswered questions and a sudden, resolution-free...
In this loosely woven series setup, a relentlessly ordinary lad who has taught himself to juggle is kidnapped by the owners of a traveling medicine show.
Repeatedly drawn to jovial pitchman Master Melville’s horse-drawn wagon, 11-year-old Sullivan finally nerves himself to crawl into a box on stage as the magician’s volunteer. When he wakes up, the wagon has traveled on, and he’s locked inside with three young performers who are likewise kidnap victims. In a beguiling if startlingly unlikely development, Sullivan soon develops such strong familial ties with the rest of the troupe and becomes so wrapped up in developing and practicing a compelling juggling act, that he puts any plans to escape or even to contact his family on hold. Meanwhile, the general belief back home that Sullivan drowned in the nearby river leads two schoolmates to organize a memorial celebration, while Sullivan’s stubborn little sister Jinny sets out with an octogenarian ally to prove he’s still alive. Fagan cuts his three-stranded tale off abruptly, leaving these plotlines in midair—but readers willing to go with the flow will at least get a glimmer of how Sullivan could become so distracted from his most obvious purpose by the profound inner rewards of acquiring a difficult physical skill.
Food for thought here about varieties of motivation, though with too many unanswered questions and a sudden, resolution-free ending that is more annoying than tantalizing. (Adventure. 11-13)Pub Date: Oct. 9, 2012
ISBN: 978-0-547-75268-6
Page Count: 288
Publisher: Clarion Books
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure
A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.
Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.
Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)Pub Date: Aug. 27, 2019
ISBN: 978-1-4814-1948-2
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
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