Hartley, floundering at home and school from a family trauma, finds a strange artistic postcard—and then another, and another.
Ever since Hartley’s older brother, Jackson, ran away, his parents are breaking down and his older sister’s become insufferable. Only baby brother George, a sweet and funny kid, seems to be thriving. In his discombobulated state of mind, how can Hartley come up with a topic for the big (extremely undirected and undersupervised) middle school final project? But amid Hartley’s eighth grade disorientation, he finds a quirky, collaged postcard. It bears a picture of fish and an offbeat, typewritten phrase, is numbered “1,” and is signed “g.o.” in the corner. Not long after, he finds a second postcard, equally quirky, numbered “2.” Thus begins Hartley’s quest to find all the postcards in the series as well as the artist, the mysterious g.o. Interwoven between some of Hartley’s chapters are interludes from the point of view of one Gretchen Oyster, a blue-haired, skateboarding high school girl with an artistic project. Despite choppy prose characterized by a plethora of one-sentence paragraphs and a setting that ranges from humorously absurd to simply implausible, the spare text and compelling illustrations of the postcards combine to make an appealing whole. Hartley’s white; Gretchen was adopted from China as a baby and is subject to racist and anti-adoption bullying.
A charmingly eccentric tale of briefly intersecting lives making meaning from art
. (Fiction. 11-13)