by Caryl Phillips ‧ RELEASE DATE: Oct. 19, 2003
Harsh and sad, but worth the trip.
An unlikely couple seek shelter from the brutal chill of northern English attitudes.
Anglo-Caribbean writer Phillips (The Nature of Blood, 1997; The Atlantic Sound, 2000, etc.) continues to build his elegantly crafted collection of work about lives in, but not of, England, this time bringing a mentally ailing, forcibly retired music teacher into tentative association with an African political refugee. Dorothy Jones is a divorced, once-beautiful woman in her 50s whose increasingly erratic behavior gave cause for her dismissal as a schoolteacher. The elder daughter of a truculent working-class father and unprotective mother, Dorothy failed early on to lend vital assistance to her abused sister when she needed it, and was unable to enliven her marriage with the higher-class but ineffective banker who left her for a younger woman. A couple of ruinous affairs capping this dismal history have pushed her into near-madness. Now, her parents and sister dead, she lives alone in a new subdivision outside her childhood village where her only friendly neighbor is Solomon, the neighborhood watchman and handyman. A fugitive from bloody African political upheaval, Solomon has been even more brutally battered than Dorothy, but he is made of stronger stuff. Phillips backtracks to show Solomon’s nightmarish stint as a rebel soldier and equally hellish escape to England and his painful steps to a new identity, assisted by an Irish truck-driver and his landlords the only kindly people in the forlorn surroundings. The success with this pairing of lives is mixed. Dorothy Jones comes perilously close in some ways to Blanche Dubois without the guts, but her surroundings are perfectly rendered, and Solomon is drawn with Phillips’s accustomed precision and depth, and, with the calm, cool understanding of the reality of racial foolishness, it’s enough to tip the balance.
Harsh and sad, but worth the trip.Pub Date: Oct. 19, 2003
ISBN: 1-4000-4109-0
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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