A stylistic tour de force, suffering from a little too much thematic connecting of the dots.
The head of a London office on Race Equality ends his affair with a woman he supervises, launching a schematic set of repercussions in this new novel by Phillips (Foreigners, 2007, etc.).
Keith Gordon is intelligent, articulate, even reflective, but very quickly the reader learns not to trust his judgment of his own actions and character. A black man of West Indian descent, separated for three years from the white wife he romanced at university, the 47-year-old has no clue as to the issues of power involved in his romance with a 26-year-old subordinate, or about how she might react to their breakup. Thus he’s far more surprised than the reader when the relationship he considered little more than a physical release throws his own life into shambles. Testing the reader’s credulity, Keith soon after attempts to seduce another young woman, a Polish immigrant whose station in society is far lower than his. Though race appears to be a primary consideration early on—from Keith’s career and his wife to the white stepmother who raised him and the mistress who could pass for white—this is ultimately a novel of generations. Keith feels distant from both his son, derided by classmates as a “halfie,” and his immigrant father. The plot is overdetermined, but it’s hard to deny or resist the stylistic subtlety of a narrative that encompasses (sometimes on the same page) the past, the near past and the distant past from the perspective of Keith’s muddled psyche. The novel builds to an extended soliloquy that offers plenty of revelation for protagonist and reader alike, as Keith and his father attempt to forge a bond after years of estrangement. Phillips’ protagonist remains a mystery, though the reader will come to know him better than he knows himself.
A stylistic tour de force, suffering from a little too much thematic connecting of the dots.Pub Date: Sept. 4, 2009
ISBN: 978-0-307-27256-0
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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