This action-heavy story’s execution is marred by an artless lack of strategy in the narrative techniques.
The terrifying aliens from Sanctuary (2018) are tracking the stolen ship full of teenage superpowered former prisoners, forcing the teens to turn themselves in to their corporate overlords to protect humanity.
After Kenzie translates alien transmissions and learns that the aggressive colonizers are actively looking for the missing (stolen) ship via a signal it sends out, they decide to surrender to a corporate rival of Omnistellar in exchange for the destruction of the ship. Kenzie, who is white; Chinese twins Cage (the sexy love interest) and Rune (the best friend); and company are quickly double-crossed and must try to avoid capture by a variety of dangerous parties while the alien threat closes in. Frequent bursts of (often repetitive) expository infodumps unrelated to the physicality of the settings are unwieldy and unpruned, distancing readers from the world instead of enhancing immersion. The storyline’s logic induces some real head-scratching moments, punctuated by chase scene upon chase scene, possibly to distract readers from scrutinizing the motivations and general intelligence of the characters, especially the antagonists. These chases also allow glimpses into the lives and backgrounds of the secondary characters—Russian Alexei, Irish Mia, Jasper Many Chiefs (who has dark hair in a ponytail and high cheekbones), and Egyptian hijabi Imani. An unsatisfying climax sets up the next book.
This action-heavy story’s execution is marred by an artless lack of strategy in the narrative techniques. (Science fiction. 12-adult)Pub Date: Aug. 6, 2019
ISBN: 978-1-5344-0536-3
Page Count: 496
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship.
Shortly before the new queen’s coronation, a monster wreaks havoc, forcing a young fairy princess to intervene at her own risk.
In Pixie Hollow, the Never Fairies of Spring, Summer, and Autumn work to create seasons for the humans on the Mainland, while the fairies of Winter remain apart in the Winter Woods. Clarion, a governing-talent fairy who’s soon to take over as queen of Pixie Hollow, often looks wonderingly at the Winter Woods. But crossing the border is against the rules set forth by her mentor, Queen Elvina. When a monster from Winter breaks free and enters Spring, Clarion bristles at Elvina’s dismissal. Determined to be involved, she secretly travels to Winter, meets with Milori, the Warden of the Winter Woods, and learns that the land is nothing like what she’s heard, making her wonder what else the queen has been untruthful about. Together Milori and Clarion work to discover the secrets of Pixie Hollow, which may save them—or lead to death. Set in a magical place of flowers and pixie dust, this story considers the control we have over the roles we’re assigned. Clarion is a beautifully complex character—strong yet insecure, lovable due to her willingness to prioritize relationships over rules. Themes of fear, forbidden love, and good vs. evil are present in this fast-paced, engaging tale. Main characters are cued white.
A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship. (Fantasy. 12-18)Pub Date: Feb. 4, 2025
ISBN: 9781368098458
Page Count: 400
Publisher: Disney Press
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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