Standard-issue corporate dystopia gives way to more compelling xenomorphic action and horror.
A loyal corporate citizen teams up with the prisoners she guards at a space station jail for superpowered criminal teens.
Corporate citizenship carries greater entitlements and privilege than government citizenship, and the top corporation is Omnistellar Concepts. Raised by her intensely loyal Omnistellar family, teen junior guard Kenzie is eager to earn her own future in the company. She works with her parents on Sanctuary, a space station prison for juvenile anomalies—superpowered people who started appearing after mysterious alien probes arrived on Earth. When the skeleton crew is further reduced, Kenzie is taken hostage in a prison break attempt. The leader of her captors is an incredibly attractive, charismatic, and good-hearted Chinese teen nicknamed “Cage.” Through talking with him—and while grappling with whether or not her mother will follow protocol and sacrifice her own daughter—Kenzie comes to question everything about the system she’s been benefitting from. Luckily, that somewhat overplayed storyline is freshened with the arrival of a monstrous alien threat, which motivates Kenzie to work with the prisoners in order to survive a cat-and-mouse sequence of action and escapes. The high body count includes some unexpected fatalities, and the ending points to a sequel. Main characters are white, and aside from Cage and his sister, other people of color are represented among secondary characters.
Standard-issue corporate dystopia gives way to more compelling xenomorphic action and horror. (Science fiction. 12-adult)Pub Date: July 24, 2018
ISBN: 978-1-5344-0533-2
Page Count: 480
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: April 29, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship.
Shortly before the new queen’s coronation, a monster wreaks havoc, forcing a young fairy princess to intervene at her own risk.
In Pixie Hollow, the Never Fairies of Spring, Summer, and Autumn work to create seasons for the humans on the Mainland, while the fairies of Winter remain apart in the Winter Woods. Clarion, a governing-talent fairy who’s soon to take over as queen of Pixie Hollow, often looks wonderingly at the Winter Woods. But crossing the border is against the rules set forth by her mentor, Queen Elvina. When a monster from Winter breaks free and enters Spring, Clarion bristles at Elvina’s dismissal. Determined to be involved, she secretly travels to Winter, meets with Milori, the Warden of the Winter Woods, and learns that the land is nothing like what she’s heard, making her wonder what else the queen has been untruthful about. Together Milori and Clarion work to discover the secrets of Pixie Hollow, which may save them—or lead to death. Set in a magical place of flowers and pixie dust, this story considers the control we have over the roles we’re assigned. Clarion is a beautifully complex character—strong yet insecure, lovable due to her willingness to prioritize relationships over rules. Themes of fear, forbidden love, and good vs. evil are present in this fast-paced, engaging tale. Main characters are cued white.
A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship. (Fantasy. 12-18)Pub Date: Feb. 4, 2025
ISBN: 9781368098458
Page Count: 400
Publisher: Disney Press
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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