WHEN WE'RE THIRTY

Two old college friends get more than they bargained for when they revive a youthful marriage pact in this debut novel about millennial self-discovery.

As Hannah Abbott celebrates her 30th birthday in the office of Deafening Silence New York, the indie music magazine where she works, she is overwhelmed by complex emotions. Social media posts spark nostalgia with pictures of her with college friends Kate Novack and Will Thorne, “three musketeers” navigating the challenges of young adulthood. The mysterious delivery of white carnations stirs her curiosity, as she’s pretty sure her boyfriend, Brian, would have no clue they are her favorite. Overlying everything is a vague but constant sense of dissatisfaction that interferes with her sense of accomplishment. She loves her job, but it offers no medical benefits to help her deal with a worrying knee injury. Her relationship with Brian feels distant and unfulfilling, though she can’t put her finger on exactly why. Into this emotional turmoil comes Will, returning to Hannah’s life to make good on a pact the two best friends made in college to marry each other if neither had found a mate by the age of 30. Will’s life is also in free fall, triggered by the discovery that his girlfriend, Madison, was cheating on him with his older brother, Jon. Diving into a rabbit hole of depression and alcohol has not improved Will’s position at the family firm, run with an iron hand by his father, Jonathan. Marriage to each other could provide both Hannah and Will with the stability they need, but will it strengthen or destroy their friendship? Writing within a sometimes-formulaic genre, Dembowski has created genuinely appealing characters in Hannah and Will, and she succeeds in making their unusual relationship journey absorbing and satisfying. She has a sure hand with millennial vernacular, including texting and the ever present social media, as in Hannah’s sister’s succinct text response to the protagonist’s announcement of her sudden marriage: “Ruh-roh—preggo?” If some of the obstacles to romance seem a bit forced (Hannah’s obliviousness to Will’s discomfort around Madison and Jon is hard to believe), the novel’s grounding in its era never is.

A convincing tale about the evolution of a friendship and a romance.