Hardly a by-the-numbers memoir, this is a powerful book marked by the author’s refreshingly complicated and insightful...
A memoir of a religious, gay black man coming to terms with his own nuanced achievement of the American dream in the new millennium.
The narrative opens in 1999, with the 12-year-old author waiting for the end, praying nervously in his grandfather’s evangelical church before the turn of the millennium: “Lord, please take me with You when You come. That is all I have to ask of God, and I will get my answer soon. It is 11:57.” When midnight passes without incident, the meaning of the book’s title becomes manifest. The son of a star quarterback, Gerald grew up on the poor side of Dallas, where he also excelled at football, and he soon moved on to the distant planets of higher education and elite society. As he writes, “I have been so many things along my curious journey: a poor boy, a nigger, a Yale man, a Harvard man, a faggot, a Christian, a crack baby (alleged), the spawn of Satan, the Second Coming, Casey.” The author deftly navigates through the events shaping those identities: the months of his first true romance, his time at Yale and Harvard Business School, where he earned a master’s degree in business and was a Rhodes Scholar finalist; Wall Street; and a stint in Washington, D.C., on the strong career advice to “be a special assistant to someone at the top.” Along the way, Gerald examines the subtext underlying the clashing realities of his experiences and observations. “[I was] a boy defined by his circumstances,” the author writes in nearly the middle of the well-paced narrative, “perhaps we all are—just seven billion Eves made from the rib of our Adam-circumstance—but why do we lie about it? Why don’t we want to believe it? Is it that it shames us to admit how limited our power is, how much we can submit—have submitted—to the things we did not choose?”
Hardly a by-the-numbers memoir, this is a powerful book marked by the author’s refreshingly complicated and insightful storytelling.Pub Date: Oct. 2, 2018
ISBN: 978-0-7352-1420-0
Page Count: 384
Publisher: Riverhead
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
PROFILES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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