by Casey Michel ‧ RELEASE DATE: Nov. 16, 2021
A capable, eye-opening account of laissez faire financial laws and practices that serve the interest of criminals alone.
A revealing look at the web of financial chicanery that puts the U.S. at the head of places in which to hide ill-gotten gains.
Where to go when you’ve robbed your citizens blind or sold a boatload of Fentanyl? Not Turks and Caicos or Liberia or Bermuda: No, the thing to do is cultivate the right kinds of allies, financial and political, in the U.S., and voilà, money laundered and riches secured. Financial journalist Michel serves up his first exhibit: Teodorin Nguema Obiang Mangue, a son of the murderous Equatorial Guinean dictator, who spent mountains of his compatriots’ money on mansions and, in time, Michael Jackson collectibles even as those compatriots starved. His vast fortune was not technically illegal, owing to laws his father promulgated. As Michel chronicles, to protect it, Teodorin went to “a country that had perfected the biggest system of transforming dirty, suspect money into perfectly legitimate finances and assets, obscuring its illicit origins in the process.” That’d be the U.S., where Ukrainian crime lords, Colombian cartel leaders, and their ilk have found a welcome haven. Criminal cash was ever more welcome with the presidency of Donald Trump, whose “efforts to dismantle America’s anticorruption program took place almost as soon as he entered the White House.” The author shows how Trump figured out all kinds of ways to skim the flood of illegal cash that flowed into the country—e.g., selling one of his Trump Tower apartments to the daughter of another African dictator who, like most of Trump’s business associates, operated behind a shell corporation. Michel’s diligent dissection is maddening to read, all the more so when he recounts how nonprofits and universities flock to accept dirty money in exchange for bestowing legitimacy on donors. Happily, since Biden came into office, the tide has turned, but the kleptocracy of which Michel writes, which “can be understood…as capitalism as its worst,” will be difficult to uproot.
A capable, eye-opening account of laissez faire financial laws and practices that serve the interest of criminals alone.Pub Date: Nov. 16, 2021
ISBN: 978-1-250-27452-6
Page Count: 368
Publisher: St. Martin's
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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by Casey Michel
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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