A capable, eye-opening account of laissez faire financial laws and practices that serve the interest of criminals alone.
A revealing look at the web of financial chicanery that puts the U.S. at the head of places in which to hide ill-gotten gains.
Where to go when you’ve robbed your citizens blind or sold a boatload of Fentanyl? Not Turks and Caicos or Liberia or Bermuda: No, the thing to do is cultivate the right kinds of allies, financial and political, in the U.S., and voilà, money laundered and riches secured. Financial journalist Michel serves up his first exhibit: Teodorin Nguema Obiang Mangue, a son of the murderous Equatorial Guinean dictator, who spent mountains of his compatriots’ money on mansions and, in time, Michael Jackson collectibles even as those compatriots starved. His vast fortune was not technically illegal, owing to laws his father promulgated. As Michel chronicles, to protect it, Teodorin went to “a country that had perfected the biggest system of transforming dirty, suspect money into perfectly legitimate finances and assets, obscuring its illicit origins in the process.” That’d be the U.S., where Ukrainian crime lords, Colombian cartel leaders, and their ilk have found a welcome haven. Criminal cash was ever more welcome with the presidency of Donald Trump, whose “efforts to dismantle America’s anticorruption program took place almost as soon as he entered the White House.” The author shows how Trump figured out all kinds of ways to skim the flood of illegal cash that flowed into the country—e.g., selling one of his Trump Tower apartments to the daughter of another African dictator who, like most of Trump’s business associates, operated behind a shell corporation. Michel’s diligent dissection is maddening to read, all the more so when he recounts how nonprofits and universities flock to accept dirty money in exchange for bestowing legitimacy on donors. Happily, since Biden came into office, the tide has turned, but the kleptocracy of which Michel writes, which “can be understood…as capitalism as its worst,” will be difficult to uproot.
A capable, eye-opening account of laissez faire financial laws and practices that serve the interest of criminals alone.Pub Date: Nov. 16, 2021
ISBN: 978-1-250-27452-6
Page Count: 368
Publisher: St. Martin's
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
BOOK REVIEW
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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