WE COULD BE SO GOOD

Two men who work for a newspaper in New York City in the late 1950s fall in love.

Nick Russo worked his way up the ranks to become a reporter for the Chronicle, a reputable progressive newspaper. As a gay man, he keeps his personal life private. Even outside of work, he’s cautious about his actions since he knows cops regularly throw people like him in jail. Andy Fleming is set to inherit the newspaper from his father, but first he has to get experience by working in the newsroom with Nick. Scatterbrained, amiable Andy becomes unlikely friends with grouchy Nick, but after Andy is jilted by his fiancee and moves in with Nick, their friendship deepens into more. The story is grounded in its time and place with specific New York references, including visits to Yankee Stadium, and thoughtful mentions of real historical heroes and queer media. The hardships queer people faced because of intolerance are present, yet the focus remains on the revolutionary act of queer joy—sometimes simply feeding each other soup and cuddling on the couch. Nick’s reporting work on police corruption adds some intensity but mostly hangs out at the periphery of the tale. Both men have complicated relationships with family—Nick with his extended Italian family, particularly his cop brother, and Andy with his ailing father—which function to deepen the characterizations of the leads. A found family element contributes to the hopefulness and heart that are the cores of this story.

A vividly portrayed midcentury romance filled with queer contentment.