by Cat Warren ‧ RELEASE DATE: Oct. 1, 2013
Warren writes with verve and provides rare insight into our working partnership with canines.
How adopting a German shepherd puppy turned out to be life-changing for Warren (Science Journalism/North Carolina State Univ.).
Having hoped that her new puppy would become a replacement for the companionship of a recently deceased dog, she was dismayed by the aggressive, rambunctious new addition, Solo, who could turn into an uncontrollable, snarling, biting “Tasmanian devil.” After two months, even though she was at her wits' end, she didn't want to give up on the puppy, who, despite it all, was “funny and charming” and clearly very intelligent. Warren appealed for help from the trainer who had worked with Solo's predecessor. The trainer suggested that he had the makings of a cadaver dog, a working dog used to locate missing people presumed dead. His aggression could be channeled by the demands of the search and the rewards of success. For Warren, the task of training and handling became the “rare perfection of that human and canine partnership…[which entailed]...the intense physical and mental challenge of stripping a search to its essential elements.” Warren chronicles how she and Solo each learned their jobs so that they could become effective volunteer members of criminal investigations. She had to teach him to perfect his ability to assess odors but also to deal with electric fences, swim rivers and push through undergrowth while ignoring distractions. Her responsibility was to guide Solo, as he alerted her to being in the vicinity of a target, by judging the effects of intangibles such as wind and temperature. She also had to train herself to tolerate gruesome crime scenes and dangerous environments while maintaining Solo's enthusiasm for the chase.
Warren writes with verve and provides rare insight into our working partnership with canines.Pub Date: Oct. 1, 2013
ISBN: 978-1-4516-6731-8
Page Count: 352
Publisher: N/A
Review Posted Online: Aug. 2, 2013
Kirkus Reviews Issue: Aug. 15, 2013
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by Cat Warren ; illustrated by Patricia J. Wynne
by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by Elijah Wald
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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