A labor of literary love that will appeal to fans of Gothic horror and anyone who has ever had to assuage a determined muse.
A fictionalized account of horror master Edgar Allan Poe’s life from March 1826 through December 1827.
Edgar “Eddy” Poe is desperate to escape the suffocating life of upper-crust Richmond, Virginia. At college, the 17-year-old will be free from his emasculating foster father’s controlling grip and can work on his poetry. The passionate and talented Edgar is close to achieving his goal when she appears. A girl in a dress of ashes and raven feathers, she is Eddy’s muse, whom he names Lenore. Lenore is fierce, powerful, and hungry for words, but she needs Eddy to commit to her so she can evolve from her new frail human form into a higher being. Will Poe pursue that which makes him happy, or will he succumb to what’s expected of him and live a life without artistic expression? Edgar and Lenore share the present-tense narration in distinctive first-person voices. Several of Poe’s most well-known works enhance the narrative, complemented by the author’s own finely crafted writing that flows with gorgeous, Poe-inspired phrases. Major characters are white; the family has three slaves, one of whom, Judith, plays an important role in inspiring and guiding Poe. The author's note troublingly refers to her as having "joined the Allans in January 1811," a phrasing in keeping with the benign manner in which these characters' enslavement is portrayed.
A labor of literary love that will appeal to fans of Gothic horror and anyone who has ever had to assuage a determined muse. (poems, author’s note, further reading, quoted material) (Historical horror. 13-adult)Pub Date: April 16, 2019
ISBN: 978-1-4197-3362-8
Page Count: 368
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2019
Kirkus Reviews Issue: March 15, 2019
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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