A merry, lighthearted caper.
Could prison really be worse than a retirement home? Five senior citizens plan the perfect crime to find out.
Martha Andersson has had it with the prisonlike atmosphere at Diamond House Retirement Home. Bad food, limited coffee, and no exercise spell trouble for this spry old woman. With the help of a generous supply of cloudberry liqueur, she recruits her friends into forming The League of Pensioners, bent on committing a crime worthy of incarceration. Perhaps most helpful for Martha’s purposes: nurse Barbara, the ambitious manager of Diamond House. Barbara has her romantic sights set on Ingmar Mattson, the penny-pinching director of the retirement home, and her eagerness to please him leads to the economizing that pushes Martha and her cronies toward a life of crime in the first place—but when Ingmar sweeps Barbara away, it leaves Martha and her cronies the perfect opportunity to misbehave. Brains sorts out the technical details, while Rake and Christina act as henchmen, and Anna-Greta foots much of the bill. Their victimless jewel and art heists, however, soon implode under a series of unexpected obstacles. Instead of hyperbolic, mustache-twirling villains, Ingelman-Sundberg (The Little Lady Who Struck Lucky Again, 2015, etc.) deftly orchestrates the twists and turns in the plot through the foibles of real life, including an overly zealous housekeeper, a vaguely menacing convict, a lazy pair of crewmen, and police officers whose ageism blinds them to the clues right under their noses. Once caught, the pensioners quickly learn much from their fellow inmates—the next crime will certainly come off without a hitch. The first of the League of Pensioners series translated from the Swedish, Ingelman-Sundberg’s tale captures the rebelliousness percolating just under the surface of ignored, shuffled away elderly folks, although the simplistic prose sounds a bit paternalistic at times.
A merry, lighthearted caper.Pub Date: July 12, 2016
ISBN: 978-0-06-244797-5
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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